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Sunset is shot at Kapu beach and butterfly on the flower is shot near Hebbal lake in Bangalore.
Another sculpture is Arjuna hitting the eye of fish using his bow and arrow looking at its reflection in the water near his feet. This scene is carved beautifully with some minor differences. This is based on Hindu epic Mahabarath.
There intricate sculptures at two different temples are carved very similar to each other. How could they achieve these in the ancient times? Were the ancient civilization so advanced that they knew techniques of photography and photocopying. There are more than thousand sculptures in each of these temples. It is possible that some of them are similar to each other and we may be able to identify them if observed them with interest.
The temple has ornamental doorways in three directions North, West and East with North as main entry point. The sculptures on either side of the huge doorways are striking. The temple is reddish pink in color all around.
The carvings and lattice work on the windows of the temple are simple and quiet unique. The carvings on the stone walls of the temple are intricate. In contrast to the temple color there are two small black stone elephant sculptures at the entrance.
The Garbhagriha, which is built of huge stones, houses Shiv linga. Outside the Garbhgriha doorway there are two niches, those to the right containing the figures of Ganesha and Subramanya and those to the left figures of Mahishasuramardini and Bhairava.
Inside the mandapa the walls have four large sculptured panels, which are finest examples of ancient craftsmanship. The delineation and modeling of the figures are remarkable.
On the panel to your left is Lord Vishnu incarnated as Varaha raising goddess earth from the ocean. There is still hint a red color at the top of the panel.
Opposite to this is the panel showcasing Trivikrama overcoming the demon king Bali.
At the rear are the two panels on either side of opening - Gajalakshmi seated on lotus and bathed by elephants, Durga with four arms.
The caves here are numbered for convenience of identifying. The most famous sculpture is the monumental figure of Vishnu in his incarnation as the boar-headed Varaha. Another interesting sculpture is that of Shivlinga where hair is tied up into a topknot.
The places of travel interest are:
This 7th century rock-cut shrine is unique in that is honors the Hindu Trinity in one place. This cave temple is devoted to three supreme gods of Hindus, Brahma-the creator, Vishnu-the preserver and Shiva-the destroyer.
There is a separate section in the temple for each of them.
It is a simple hemispherical brick structure measuring 36.5mts in diameter and 16.4 mts high. built over the relics of the Buddha. It is crowned by a parasol-like structure symbolizing high rank. Inside the Stupa there are relics of the Buddha. The dome which is flattened near the top is crowned by three superimposed parasols within a square railing. It is a symbol of the Dharma, the Wheel of the Law.
There are four monumental gateways (toranas) facing the cardinal directions. The gateways carved out of stone are covered with narrative sculptures. They showed scenes from the life of the Buddha. They show scenes from the life of Buddha. The gateways were erected c. 35 BCE. The four gateways are the finest works of art at Sanchi and are among the finest examples of Buddhist art in India.
On these stone carvings the Buddha was never depicted as a human figure as it was thought to be too confining for the Buddha. The artists choose to represent him by certain attributes, such as the horse on which he left his father’s home, his footprints or a canopy under the Bodhi Tree at the point of his enlightenment.

Since these temples are still unfinished, no worship has been offered there. Pancha Rathas when translated mean "five chariots", and they are named individually after Draupadi and the Pandava brothers. It is different matter that there may not be relation between them and the epic Mahabharata.
The view in this photo is from the northwest. In the foreground is a carved lion. Behind the lion, from left to right in the photo, are the Draupadi, Arjuna, and Bhima Rathas. In front of Bhima Ratha is Elephant and Nakul-Sahadava Ratha. Dharmaraja Ratha is hidden in this photo behind the other structures.
Draupadi Shrine is the smallest and simplest and it is formed as a bangla hut. The Arjuna shrine is like a small palace or pavillion, with sculpted pilasters, and an octagonal dome. Bhima Shrine is the largest with its barrel vaulting and long columned porch. Seated lions are carved in front of the columns at the base. Nakul-Sahadeva Shrine is south-facing and is in apsidal shape.
Dharmaraja Shrine is a larger version of the Arjuna Shrine with pyramidal roof. The building is topped by an octagonal-shaped dome, the shikhara. Since there is a increase in the elevation below this shrine, it gives a clear look at the decorative elements of its roof, when compared with Arjuna's similar roof.
One need more than half a day to cover this museum leisurely. Unfortunately I had only one hour on my hand, I did not purchase the ticket for photography. I entered the the museum when there was one hour for closure.